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Scorpio deals with the deeply profound and mysterious that often eludes the mind. Inner transformations on the spiritual path always take place in secrecy. They are of a Scorpionic nature. It is a process of how a caterpillar turns into a butterfly. Scorpio is the sacred sun sign, which secretly induces the period of hibernation to allow the process of unhindered transformation to take place. Such a transformation enables us to serve society effectively.
The symbolism of Scorpio is visualised in the eleven Scorpio paintings done between 2010 and 2020. For detailed detailed descriptions please see the ludgerphilips.org website.
Scorpio – Eagle and Serpent 4 September 2010, pencils, crayons and photo work
Scorpio – The Dark Mother and the Consequences of Blindness 01 August 2011, pencils, crayons and photo work
Scorpio – The Ascent of the Serpents Through the Pituitary Hint 14 July 2012, pencils, crayons and photo work
Scorpio – The Tree of Life and the Androgynous Man 16 July 2013, pencils and photo work
Scorpio – The Master of the Violet Flame 09 July 2014, pencils and photo work
Scorpio – The Heart of the Turtle 13 July 2015, pencils and photo work
Scorpio – Mars the Kumara and the Six-Armed Cross 18 July 2016, pencils and photo work
Scorpio – Fall of the Spirit and Birth into the Egg of Space 25 July 2017, pencils and photo work
Scorpio – The Seven Kingdoms of Nature 21 July 2018, pencils and photo work
Scorpio – Ascent of the Winged Serpent 8 July 2019, pencils and photo work
Scorpio – The Journey of the Disciple 23 July 2020, pencils and photo work
The vital energy resting at the Muladhara, the base centre is called kundalini or serpent power. It is symbolically represented as a serpent wrapped three and a half times around the base centre. The coils of the serpent represent the physical, the astral and the lower half of the mental plane of our existence.
On the path of ascension, the journey of the disciple, the serpent crawling on the ground rises and becomes a winged serpent, an eagle. The path of Kundalini goes from the base (Muladhara) to the head centre (Sahasrara). When the kundalini releases itself from the bond of dense matter, the energy rises through the spine. The inner side of the spine can be visualized as a radiant line of force – an electric blue colour. This is the essential energy of our Self as awareness and light.
The painting shows the ascent of consciousness from imprisonment in matter to liberation into the vastness of spirit. The base centre at the bottom of the picture was designed with the help of the photo of a petunia. The coils of the serpent are indicated by coloured layers, for which I used a Nasa photo of the Cassini probe from the north pole of Saturn. From the base centre rises a pillar of light, out of which a bluish shining eagle emerges in the upper part. On the left side you see the constellation Scorpio and on the right side Scorpio’s glyph.
The symbolism of Scorpio is visualised in the eleven Scorpio paintings done between 2010 and 2020. For detailed detailed descriptions please see the ludgerphilips.org website.
Libra symbolises the fall of man into the cycle of birth and death. Through the development of sex consciousness, we have lost the awareness of our original state of immortality. This is represented as a fall from the Sahasrara, the head centre, to the Muladhara, the base centre. By directing the consciousness towards the higher centres, the lower centres are slowly neutralised and the polarity of sex is transcended. This is called the reversal of the wheel. The path from Libra to Aries in the reversed direction completes the journey. The opposition between Mars and Venus, between the male and the female, is transformed into a marriage; they unite and find their harmony. It is the marriage of the lamb, Aries, with the bride, Libra.
The image shows the stylised wheel of the zodiac with the central axis of Aries at the top and Libra at the bottom. In the central axis you see the figure of Venus, the symbol of the soul linking the opposite poles. Venus helps us to rise from the mundane identity to the awareness of being the soul. The figure is wearing a veil, the veil of nature. She is surrounded by colours of light blue and rose, colours related to Venus. For this, I used a painting of Venus from an unknown painter of the British School.
Libra represents the experience of dense matter and the death of consciousness. I illustrated this density through rock faces on the left and right side. The figure embedded in the rock at the bottom left symbolises the past, the one on the right stands for the future. Venus in the centre is the experience of the presence.
At the top on the left side you see the constellation of Libra and on the right side you find Venus designed with a NASA photo from the space probe Magellan.
The symbolism of Libra is visualised in the eleven Libra paintings done between 2010 and 2020. For detailed detailed descriptions please see the ludgerphilips.org website.
For the divine light to express itself through us, a pure virginal mind is the prerequisite. Virgo is sign and time, when the germ of the soul matures – the probationary period on the spiritual path. After proper preparation through inner purification, the divine light can shine through us. Thus, the divine can descend into us to bless and uplift through the eyes and the voice.
It is said that the Father blesses through the Mother and thus gives birth to the Son of God in man. This is the Immaculate Conception and birth. The seven colours of the rainbow represent the unfolding grace of the Divine. The one white ray manifests through the seven colours of the rainbow.
On the left side of the picture you can see the profile of a statue of the World Mother, created with the help of the photo of a Durga statue in the Blue Mountains of South India. The germs of the maturing souls in the sphere of the earth were created with the help of the photo of a flower at the San Francisco airport. This sphere is limited by the rainbow against the vastness of blue space. Its seven colours stand for the seven planes of existence, whose seventh plane is the radiant light of the universe, which we perceive as darkness. In this darkness we can see the glyph and the stars of the constellation Virgo.
The symbolism of Virgo is visualised in the eleven Virgo paintings done between 2010 and 2020. For detailed detailed descriptions please see the ludgerphilips.org website.
Leo is the royal sign of the zodiac. The lion is the king of the animals. Every human is essentially leonine, seeking freedom. Leo is related to love and the heart. When the activity of the heart centre awakens, there is also the awakening of soul awareness. This is the birth of group awareness.
The symbolism of Leo is visualised in the eleven Leo paintings done between 2010 and 2020. For detailed detailed descriptions please see the ludgerphilips.org website.
Leo – The Mother on the Lion 27 June 2010, pencils, crayons and photo workLeo – The Mother with the Lion 11 June 2011, pencils, crayons and photo workLeo – the Three Planes of the Sun 22 April 2012, pencils, crayons and photo workLeo – The Entrance 17 March 2013, pencils and photo workLeo – The Sun Centre in the Heart 09 April 2014, pencils and photo workLeo – The Tree of the Universe and the Cosmic Teaching Principle 17 April 2015, pencils and photo workLeo – The Path to the Super Soul 15 April 2016, pencils and photo workLeo – Hercules Conquering the Inner Lion 20 April 2017, pencils and photo workLeo – The Gateway of the Sun Centre 17 April 2018, pencils and photo workLeo – The Pulsating Heart of the Lion 12 April 2019, pencils and photo workLeo – Group Consciousness. Common Purpose 18 April 2020, pencils and photo work
Leo stands for the birth of the soul into group consciousness. As soon as the soul in us awakens, we begin to live in the higher consciousness or group consciousness. There is no more need for us to limits and separations like, this is ‘my group, your group, his group’. It is only one group of all beings of the universe. It is one entity called by many names in many groups. The purpose of Hierarchy is to release the humanity from its concretized bondages and perceived limitations so that they can cooperate with the greater purpose, the Plan for the evolution of our planet.
The picture visualizes the joint orientation of the group towards the higher purpose. For the depiction of the large group below, a photo of a group life at Mount Shasta, USA, was duplicated and mirrored. Above, there are pictures from online group meetings fused together as an expression of the physical and etheric interconnectedness. A staircase leads the view to the globe in the background and there to Shamballa. The detail of the globe is created with the help of a picture from WorldWind.earth using NASA images.
Shamballa is the etheric residence of Sanat Kumara in the Gobi Desert, where the purpose of God for our planet is known. He is the regent of the planet, indicated by the crown at the top of the globe. On the left you see the constellation Leo and on the right the glyph of the sign. The central axis was formed with the help of a photo of a galaxy. It reminds us that our system is part of a larger system and is aligned with it.
From summer solstice in Cancer on, the southward movement of the Sun begins. For six months the day decreases and the night increases. Matter grows stronger, the light, the spirit, becomes more hidden. Therefore, this is considered the time of darkness. During this time, we should give particular care not to lose ourselves in the outer world, but to keep the connection with the inner light. When we forget this, we deviate easily from our path.
In the picture you can see two red circles. In the upper circle there is a sunset; the sun is moving down into the sphere of the earth. In the lower circle and even below there is a railroad track, which symbolizes the path into matter. Like hypnotically attracting the gaze, it leads away from the central axis. At the beginning of the path, two people look into the tunnel; their gaze could also be directed upwards towards the light. One of them has a mobile in his hand – the symbol of the present time.
In the upper right corner, you can see the symbol of Cancer and on the left are the stars of the constellation. Below them a water surface is indicated – Cancer is a water sign. The bluish bow indicates the ring of the horizon.
For the upper part of the picture two photos were used, which were taken during an evening take-off from Iguazu Airport, Brazil. The scene in the lower part of the picture is designed with two photos of an automatic train that runs through a tunnel at Zurich Airport to the terminal.
Gemini is the sign of the messenger, under whom many messengers of the gods have appeared at all times, revealing new truths and acting as mediators. Gemini is the expression sign of expression ruled by Mercury. Gemini is also the duality and contains the key to unity.
You find its symbolism visualised in the eleven Gemini paintings done between 2010 and 2020. For detailed detailed descriptions please see the ludgerphilips.org website.
Gemini – Distribution 15 May 2010, pencils, crayons and photo workGemini – Union beyond Duality 16 April 2011, pencils, crayons and photo workGemini – Saraswathi and Mercury 17 March 2012, pencils, crayons and photo workGemini: Pulsation – The Song of the Swan 10 February 2013, pencils, crayons and photo work
Gemini – The Son of the Sun and the Great Cycles of Time 09 February 2014, pencils and photo work
Gemini – The Messenger of Light 24 February 2015, pencils and photo workGemini – Group Consciousness, Merging and Emerging 08 February 2016, pencils and photo workGemini – Ardhanari, the Male-Female God 18 February 2017, pencils and photo workGemini – The First Pair on the Threshold of the Temple 12 February 2018, pencils and photo workGemini – Through the Throat Centre 23 February 2019, pencils and photo workGemini – Gateway between Unity and Separation 11 February 2020, pencils and photo work
The symbol of Gemini is like a gate. It marks the threshold between unity and multiplicity and then the separation from unity. In the opposite direction, Gemini leads back to unity.
In this picture, the view leads the observer through an archway over a bridge-like path, designed with a photo of the top end of a moving stairway in the Elbphilharmonie Concert Hall in Hamburg, Germany. The people move as if without any action on their part.
For the background I used the photo of a newspaper page (“Der Bund”, 31 January 2020) with an article about the UK’s withdrawal from the EU on the eve of the Brexit. I turned the colours into the negative and fused this photo with the mirrored form of the picture. The headline “Wie der Brexit” (Like the Brexit) and its reflection appear like signs of a bifurcation. In the background on the right there is the mirrored slogan “Get Brexit done”; on the left, only faintly visible, there are two dogs tied together with the flags of Great Britain and the EU, all in turquoise as predominant colour, the colour associated with Gemini and the throat centre.
At the top of the picture you can see a flame surrounded by reddish colours and inside, in a delicate glow, Maitreya, the head of the Spiritual Hierarchy. The Masters of Wisdom intensively work for the unity of humanity and especially for the European unity. People, however, often choose the ideology of the island consciousness of separation.
At that time, I felt touched by her images inspired by occult experiences, and so I did some research on Hilma on the web. I was moved by her experience of the non-recognition and the non-reception by her contemporaries of her grand contribution to beauty and to unveiling doors into the subtle world. Together with some friends, she experienced inner guidance and followed it. She was inspired by H.P. Blavatsky and Rudolph Steiner. She met him, but he too, did not recognize the sublime depth and greatness of her work; he could not interpret her paintings (here a video of a theosophical researcher).
Others also did not see her qualities and contributions to modern art and to life. Hilma created a grand work of about 1300 paintings, partly of very great size, and many drawings – it was never shown during her lifetime. She felt that the time was not yet ripe, and thus, in her will she decided that her work shall not be shown until at least twenty years after her death. Patience beyond the physical.
Some weeks ago, a friend from Munich told me about Hilma and asked me if I knew her – and so memories came back. My friend had just seen a German TV report about a new book and three times seen a movie on Hilma in a cinema in Munich.
Hilma Af Klint – Beyond the Visible – poster of a film in a Munich cinema
It took 40 more years before the international recognition of her work started with a travelling exposition starting in Los Angeles in 1985. Many more expositions in famous museums followed. In 2019 there was even an exposition in the Guggenheim Museum, New York.
Still today, time might not yet be ripe to discover the relevance of present day contributions of esoteric and occult dimensions to beauty, beyond the fanfares of the art business.
Hilma af Klint -Altarpiece No. 1 Group XHilma af Klint – Evolution No 13Hilma af Klint – Altarpiece No. 2