I just came across the website of Siberian Roerich Society, , where I found the following about the King of Shambhala tanka, read with automatic translation (Google Chrome browser) – please read upto the end:

“In the exposition of the fireplace hall of the Novosibirsk Museum of N.K. Roerich can be seen the tanka “King of Shambhala” from the collection of the Roerich family. Let’s share the information that we managed to collect about this exhibit.
At the end of 1923, the Roerichs left America and arrived in India. They chose the Principality of Sikkim as a place for a long stop, renting a house near the city of Darjeeling. (…)
The entire Roerich family lived in this house for more than a year. They got acquainted with local sights, preparations were underway for the Central Asian expedition. The photographs of 1924 depicted N.K. Roerich with his sons Yuri and Svyatoslav in a room where the walls are hung with tankas, among which is the “King of Shambhala” tanka.
In the letters to N.K. Roerich to American collaborators dated August 20 and 27, 1924, we read: “Finally, an artist from Tibet has come to us and is now painting Shambhala, [beginning] with the King of the World in the center. Just think what we will bring to you! This cult is greatly revered in Tashi Lumpo (Tashi Lama Monastery). The expedition from Everest praised our collection of Tibetan paintings very much.” “And on the first floor [we] are painting the painting “King of Shambhala”….
When this unique exhibit arrived at our museum, we turned to Yulia Igorevna Elikhina (leading researcher at the Oriental Department, curator of the Hermitage’s Tibetan, Mongolian and Khotanese collections) to help us attribute the tanka. Here is her answer: “The second king of Shambhala, Manjushrikirti, is depicted in the center. He sits in the royal pose of rajalalitasana, with his right hand in the gesture of bestowing goodness (varada mudra), next to him is a lotus stem, on the flower of which there are attributes – a sword and a book (attributes of the bodhisattva of wisdom Manjushri, whose incarnation he is). In his left hand he holds a chakra, a wheel of teaching and a symbol of royal power. His parents are shown next to him in the form of bodhisattvas, since the kings of Shambhala receive teachings from their parents. The father’s right hand is in the gesture of fearlessness (abhaya-mudra), the left hand is in the gesture of teaching (vitarka).
Above are Buddha Shakyamuni teaching, with a white body, then Amitabha, with a red body, and Maitreya, the Buddha of the future, with a yellow body. Shambhala is surrounded by snow-capped mountains. Below is shown the war of the last king of Shambhala, after which the era of universal prosperity will come.
Yulia Igorevna also drew our attention to the fact that in the picture N.K. Roerich’s “Banner of the Future” from the collection of the State Nizhny Novgorod Art Museum depicts exactly the “King of Shambhala” tanka. As you know, this painting is part of the Maitreya series, which the artist created in 1925-1926 and presented to the Soviet government when the expedition visited Moscow.
Regarding the name of this painting – “The Banner of the Future” – we will quote the words of Yu.N. Roerich from his book “Tibetan Painting”: “The most characteristic work of Tibetan painting is the so-called tanka (than-ka), a word usually translated as a banner” 6 . The painting also has a second name – “The Song of Rigden-Jepo”.(name of Sanat Kumara)
And one more picture of N.K. Roerich’s “Order of Rigden-Japo”, created in 1926-1927, brings us back to the image on the tank – the image of Rigden-Japo almost exactly repeats the appearance of the King of Shambhala.

In the book Shining Shambala, Nicholas Konstantinovich Roerich gives a conversation with one very respected lama: “… Rigden-Jepo, tireless, always awake for the benefit of mankind. His eyes never close. (…) Distance does not exist for him; he can help the deserving in the twinkling of an eye. Its bright light can destroy any darkness. (…)
A great era is coming. The Ruler of the World is ready for battle. Many signs are happening. Cosmic Fire again approaches the Earth. The planets herald a new era. But many catastrophes will occur before the new era of prosperity comes. Again humanity will be tested to determine if its spirit has developed enough. Underground fire is now seeking to connect with the fire element of Akash; if all good forces do not unite their power, the greatest cataclysms are inevitable.”

Sri Kumar recently proposed:
“We may open a window where we post all that relates to Shambala and allow all members to post and thus participate in the thought of Shambala. Allow responsible participation. ‘WTT-Shambala’ can be the window. The idea is to implant the reality of Shambala in the consciousness of aspirants so that they are ‘upheld’.”

As such a window for relating to Shambala, the World Teacher Trust-Global has now opened the Facebook group “WTT Shambala”, (login to Facebook needed) in the time of Good Friday, Aries Full Moon and Easter festival.

So, you are invited to join the WTT-Shambala group. You are allowed there to post and thus participate in the thought of Shambala. You may responsibly post all that relates to Shambala. You might think of paintings of Nicholas Roerich, prayers relating to Will, or thoughts from the wisdom teachings on Shambala, esp. the book of Sri Kumar on “Shambala”. Or the book “Shasta, Sambala and Sanat Kumara”

Some members will attend to the group as administrators and will weekly post content. The main language of the WTT-Shambala window will be the Aquarian language, English. However, you might post content in any language. Facebook offers automatic translation.

Here are some words translated from a discourse of Sri Kumar given on 4 April in Telugu for a deeper understanding of why to relate to Shambala:

“Shambala is the highest point in terms of consciousness on this planet. It is equivalent to the head centre (Sahasrara) in humans. So it can be seen as the Sahasrara of the earth globe. Shambala is present in one of the subtle planes in the Gobi Desert of Mongolia. Many have tried to find this place in the Gobi desert but it cannot be seen by everyone. Only the permitted ones will be able to see or visit Shambala. There are many on this globe who aspire to visit Shambala. In present times, relating to Shambala is very important. I kept writing short articles on Shambala in Navani (a magazine in Telugu) and when the articles numbered 100, they were compiled into a book. This book was published both in Telugu and English.

A contemplation proposal

Interested ones can take to the rhythm of relating to Shambala every Thursday evening, after prayer, by reading an article from that book and meditating on Shambala for a few minutes. In recent times, we have Madam HPB and Nicholas Roerich who were permitted to visit Shambala. So you can find more details of Shambala in their writings as well. The more you read and think about Shambala, the more the energy of Shambala enters into you. So by relating to Shambala on a regular basis, an alignment between you and Shambala would be established. Accordingly, this new rhythm has been proposed to all the WTT groups starting from 7th April, 2022. 

If there are 1000s of us who relate to Shambala in this manner on a regular basis, all of us get into an alignment with Shambala. Thereby gradually we become mediums for Shambala to work through us. Shambala also needs an army among the humans to work out its plan. By taking to this weekly rhythm, we show our preparedness to be recruited by Shambala into working out its plan. It is a responsibility that we should take up as divine aspirants. Then we become aware of the Divine plan and also become a part in its manifestation. The writings of Master DK have many mentions of Shambala and the plan. He initiated a new group of world servers in the beginning of the 19th century and many have become part of that group ever since. The WHHO prayers that we have been doing are also part of the activities planned by that group. That is one rhythm towards world service that we have taken up in 2020. This is another rhythm that is being introduced to the groups. Remember that all these rhythms are part of the grand plan that is coming from higher circles. So if we cooperate with that plan, then we will be blessed.

Remember that Shambala is the gateway of many other Divine planes in the creation. Shambala has its centres in other higher planes. One can enter Sirius through Shambala. There are many such grand aspects of Shambala which you may gradually know while you take part in this weekly ritual.

Master Kumar just gave “A Rhythm for Humble Cooperation” (PDF) for consciously relating to the Shambala energy, especially in the present time of crises (see also here in French, German and Spanish). There, the Master also proposes to use the paintings of Nicholas Roerich to enable better comprehension and to study the teachings of Nicholas Roerich. So you fine some images below – and the information also in a PDF. The sublime paintings in the blog-post are all from Nicholas Roerich.

Master Kumar recently published a book on “Shambala” containing profound teachings for students to relate the dimension of Shambala and to this mystic land. The book is available for free as PDF and in the Ebook formats EZW3, EPUB and in Kindle format mobi.

Shambala was prophesied at the very beginning of the Kali Age, 5000 years ago. It is considered to be the seat of the Lord Sanat Kumara who esoterically rules over this Earth. Shambala contains the energy of deliverance to the beings on the planet and it has been a matter of great interest at all times.

There exists a book by Nicholas Roerich on “Shambhala“. You can buy it online. The content is also available via this link. Years ago, the book was available on the Roerich website as a PDF; you might use it, for personal use only.

The cover picture shows a detail of the painting “Command of Rigden Djapo”. Rigden Djapo is a name of Sanat Kumara.

Here are some more pictures of Roerich related to Shambala.

An Indian friend recently sent me a picture from his journey to Sikkim. He wrote:

“There on the hill top there is a cave temple of a Buddhist called Rigden-jyepo. With much veneration and much struggle we trekked to the cave. The cave was big but the entrance was very small (only one person could fit). There was no particular way to climb into the cave, only some wooden steps. I was thrilled to see the statue which was with a golden colour and in a sitting position.”

I told him that Nicholas Roerich explains that Rigden-jyepo /or Dyapo is a name of the Lord of Shambala, Sanat Kumara.

And in the Agni Yoga glossary (“A Treasury of Terms and Thoughts from the Agni Yoga Teachings”) it says:
“You mentioned to me the sacred call—Kalagiya! When someone hears this imperative call, he must know that the way to Shambhala is open to him. He must remember the year when he was called, because from that time evermore, he is closely assisted by the Blessed Rigden-jyepo. Only you must know and realize the manner in which people are helped, because often people repel the help which is sent.”

For Pisces 2022, I created an image called “The Blessings of Lord Maitreya“; it is also posted in the blog. The description says: “Maitreya received the wisdom under a ficus (fig) tree at the eastern entrance to a cave which is said to be at Sravasti, in a region north of Mount Kailash. It is today called Shigatse by the Tibetans. It is believed that the ficus tree is still there even today and that he continues to bless the entire planet and humanity during the morning and evening hours.”

When I recently visited friends of mine, the wife told me that she felt touched by the painting and shared an experience she had at Shigatse. I regive it here from my memory.
In the 1990s, they wanted to go to Tibet, but since at the time they had planned to travel, visitors from abroad were not allowed to go there, they decided to fly to China and see on site where to travel.

Together with a guide, they went to a travel agency. There, they were asked where they would like to go. They said, to Tibet but this would not be possible for foreigners. The person in the office said, why not? and told them that they can organise a journey and proposed to go to Shigatse. My friends did the trip.

When they arrived at Shigatse, the wife unexpectedly experienced the presence of Lord Maitreya and saw a vision in the sky. She immediately addressed him with the words: “Oh Lord, can you please help humanity which is undergoing so much problems and suffering!” Then, the words formed in her head: “We have given to humanity all we can but humanity does not apply. We cannot help unless they put to practice what has already been given…”

They later visited the monastery in Shigatse (Tashi Lhunpo) and they saw a huge statue of Maitreya (description) worshipped as the Buddha in charge of the future. There, the wife experienced again the presence she had felt on arrival in Shigatse.

I was deeply touched by her story bearing witness of the reality of the subtle worlds. And I told her about an experience which had expressed in a painting in March 2010.

On seeing the Pisces 2022 painting about the blessing of Lord Maitreya under a ficus tree, another friend told me about a huge sacred ficus tree she had seen in Yangshuo, China and shared some photos.

P.S.: April 11th 2022: When reading the above story, my friend wrote me the following words:

“It is nice how you share your experiences with those who are interested. I would like to briefly recount the experience in Shigatze: We were sitting in a quiet place at the edge of a meadow for the 6 pm meditation. My eyes were closed. I felt someone standing in front of me and directed my inner gaze towards it. I “saw” a very tall golden pillar. I kept looking up until finally the unimaginably benevolent smiling face of Buddha Maitreya could be ‘seen’. I addressed him and he replied, on a spiritual level of course.

The next day we visited the monastery in Shigatze. There stood Buddha Maitreya exactly as I had ‘seen’ Him the day before: Huge tall and smiling. This Maitreya, however, was to be touched, he was there quite concretely as a work of art. I remember that the Chinese tour guide said he was 26 m high and that I read it that way too. (I can hardly imagine that now).”

I read at several places on the web that the statue is indeed 26.2 m high. It is in the Maitreya Chapel of the monastery, a tall red building with a gold roof at the complex’s northwestern corner, built in 1914 by the ninth Panchen Lama. But this is the outer artwork only. The subtle presence of Maitreya is not limited to this. So better look for an inner image than an outer form. Even if you do not feel an inner presence, it might be some “screen travelling” with the computer to Shigatze.

And still another friend shared a beautiful big old book (PDF, 22 MB) of Swami Pranavananda on “Kailas – Manasarovar” from 1949, where you also find old maps of Tibet / the area of Mt Kailash as well as various pilgrimage paths to the Mount. Here, you see the path from Lhasa via Shigartse (written this way) to Kailas / Manasarovar.

And she also added some beautiful pics from their journeys to the Mount full of spiritual magnetism.

During the period of the spring equinox, we – a group of 18 friends of the CVV energy of synthesis – met in the Wendland region of northern Germany for a four-day group living. It was the 13th CVV Sharing meeting.

The “Seminarhof Drawehn” in Kassau is situated on the edge of a small village and it has grown out of an old farmstead. Its centre is a beautiful 12-angular building with a spiral roof. Its large windows open a wide view over fields and forests.

During the meeting we followed a rhythm of longer and shorter meditations alternating with sharing in smaller and larger groups and walks in nature.

For this year’s programme, the preparation team had planned more free time for exchanges, and the meeting was also one day longer. We spent the exact time of the equinox in meditation and contemplation on the energy manifesting at the moment of entry into Aries.

We talked in smaller and bigger groups about what moves us, how we keep the inner connection in the flood of information in everyday life and how we live with the influences of the present time.

We also delved into Sri Kumar’s message for the year 2022/23, and a fascinating input on the current planetary constellation seen through the symbolic language of Greek mythology opened up a deeper understanding. Sunday evening, a group member led us through an exercise on the symbols and qualities of the seven rays.

Sunday morning after meditation, we gathered outside for a small fire ritual. Despite the wind and icy temperature, it was a sublime experience to welcome the new year with the fire and the rising sun.

Next year’s meeting will again take place at the same place at the beginning of spring, while a shorter meeting is planned for the autumn equinox 2022 in Hamburg.

In the scriptures, creation is described as an expression of the first, second and third logos, or three fires coming from one source. We can consider these three fires as will, love and wisdom and intelligent activity. They are the cosmic or electric fire, the solar fire and the fire by friction, the invisible fire in matter.

These three fires are associated with the three fire signs of the zodiac. Aries represents the electric fire; Leo represents the transforming fire, and Sagittarius is the fire by friction. Even though we describe them as three qualities, the three fires are only one fire called “Agni”.

From this source, the stardust comes forth as a ray of fire known as the great serpent Ananta, the cosmic Kundalini or the serpent of eternity. The stardust forms into stars or solar systems. This process is symbolically represented in the picture.

From the unity in the centre emerges the three points symbolizing the three logoi or the three fires. The fire pervades the space in which the serpent of eternity becomes visible. It is surrounded by the stardust from which suns and galaxies are formed. For the design of the stardust, I transformed a NASA/Hubble photo of a ring galaxy. The serpent of eternity and the fire at the background were generated with elements from different images.

The symbolism of Aries is visualised in the thirteen Aries paintings done between 2010 and 2022. For detailed detailed descriptions please see the ludgerphilips.org website.

This is about an exchange with a friend from the US who is member in my English online study group. She reacted on a communication which was distributed last Saturday via the internal mailing list of the World Teacher Trust. Although it is a bit specific, it might be of interest of some blog readers.

The mailing list communication was about questions asked by some group members and answers given by Master KPK. I give here the related question/remark:

Q: “Saturn starts transit of Dhanishta from 6th March 2022 till 31st March 2023.”
A: “Saturn’s stay in Dhanishta is very significant to bring about needed changes for the better at all levels. Invoke Master CVV with deeper intent and relate to Saturn Regulations throughout this period. It is also beneficial if Occult Meditations are also followed. Learn to accept things as they come in and around and see what best can be done at your level.”

My friend is a profound teacher of esoteric astrology but is not so familiar with the Eastern wisdom of using elements from Vedic astrology for meditative work. So here is our exchange:

Q: “Can you please explain Dhanishta, Saturn in Dhanishta? This is Vedic astrology? Would it be then Saturn in Aquarius? or Capricorn? Or? I don’t understand. What would it be in Vedic & in western astrology?”

A: “Dhanishta, ‘Wealthy Wind’, is a constellation of the 27 Nakshatras, being especially important in Aquarian age. The vernal equinox entered from Pisces into Aquarius (‘Aquarian Age’). Please see here about Dhanishta meditation (We do here since many years…)

Master KPK had noticed beginning of the 90s that during the Dhanishta time there is an extra influx of Aquarian energies, which is coming in via the Moon each month, and also via Sun once a year during about 18 days. And during the transit of any planet through this constellation, the planet brings in specific extra Aquarian energies.

This is not Vedic astrology, it is spiritual astrology, which you can use whether following the one or the other system. To me, it seems that Master wants us to get aware of the different time qualities of the zodiac of 27 divisions, the Nakshatras. These are practiced in lunar astrology, but you can take it also with solar with the respective divisions of the zodiac. For this, the Master has given the correspondences between the 2 systems in his books & talks.

However, he gave a certain indication to where Dhanishta begins and ends in solar astrology, and also the beginning and ending in both systems in his book on Nakshatras. Then, a German astrologer pointed out about a year ago that in the lunar zodiac there is not a clear beginning of the zodiac like in the solar system, with vernal equinox, 0° Aries, and that the Master had given different beginning points of Ashwini at different situations, thus impacting also the beginning and ending of Dhanishta calculations from a solar perspective. (There are plenty of astrological systems defining the beginning of Ashwini differently. In India, the government has defined the beginning of Ashwini to be used for official calculation of festivals but besides these there are various other definitions.)

The Master has reacted last year on the arguments of the German astrologer and has taken away all indications of parallels between solar and lunar systems in his Nakshatra book. There was a difference to the indications given before, esp. in the “Aquarian Master” book. On the basis of these indications, the astrological softwares used in WTT, like “Smoon” and the software to calculate the astro-data used for the Astro Diary are functioning. It was agreed to continue with these definitions, taking them as “immovable” for the calculations.

So you can take what has been given in the Aquarian Master book for observing the transits of planets through Dhanishta and thus, linking to extra influx of Aquarian energies. (This is what Master recommended when speaking about Saturn’s transit through Dhanishta. For us, from solar astrology view, it is not in Capricorn but in Aquarius. For lunar astrology, it is in Capricorn. I give you the details for a detailed, profound understanding, since you are teaching and can help establish clarity about this important point.

Read the chapter on Dhanishta in the “Aquarian Master“, there it also says:
“The Dhanishta constellation according to the lunar calendar which is called in Sanskrit as ‘Niryana’ exists between 23 degrees 20 minutes of Capricorn and the last 6 degrees 40 minutes of Aquarius.
The difference between the two systems is 23 degrees and 20 minutes, which is reconcilable.
Dhanishta is the constellation through which the Energies of Synthesis or Aquarian Energies visited the planet Earth. Master CVV’s birth Moon is in the constellation of Dhanishta. This is not a mere coincidence. The Master of the Aquarian Age chose the Aquarian constellation to transmit Aquarian Energies to the planet and the planetary beings.” …
(Another aspect of the mail) Learning the Saturnian way has many dimensions – adjusting to Dharma, the Law, and the aspects Saturn teaches. By honouring them, one gets support from Saturn. For this, The Saturn Regulations are recommended, esp. during times of intense Saturn impacts, also the use of the sound SAM and visualising the 3 black points (in the head, over the 2 eyes and the 3rd), see the book on Saturn.”

Q: “There is much here to learn & integrate & understand, Ludger. Dhanishta is a constellation? The 23rd constellation in the 27 Nakshatras. Each of the 27 have their own name. Dhanishta is one of the names of the constellations. One of the lunar mansions? There are 27 lunar mansions or Nakshatras? The moon travels or orbits thru these lunar mansions. This information is new to me. I am learning.”

A: “Yes, there is an ocean of profound wisdom, where I am also just dabbling a little at the shores.
And yes, Dhanishta is one of these lunar mansions or constellations, Nakshatras. They are considered to be constellations. Please see enclosed the no more published list of these constellations / Nakshtras from the old version of the book on Nakshatras of the Master, I clustered it from there. Have a look there with the zodiacal degrees – as I said in the last mail, these differ a bit from what Master gave in the Aquarian Master book. So you might discover which of your birth planets / node gets the special blessings of Dhanishta energy, and this is definitely something to ponder on! It gives a special amount of Aquarian energies.

If it is the 23rd constellation depends on your way of counting, it is not so in all ways, but only when you start with Ashwini. When you start with Krittika, the scissors (cutting the circle of the equator, it correspond(ed) to Vernal Equinox, see my image Aries – Sun Cuts the Equator of Mother Earth), it is the 21st one.
So, in the enclosed PDF, from the German book on Spiritual Astrology, you find it as the 21st. (And written as Dhanishtha – in English, th in English digraph is different from the th in Indian languages, there, it is and aspirated t)…”

You find the times of the monthly Dhanishta of the Moon in the Astrological Dates published by WTT, the Astrological Calendar (PDF), and also in the Vaisakh News Letters of the Month. In the Calendar, you can also see when planets are transiting through the Dhanishta constellation.

The commencement of the year is in Pisces and its tangible commencement is in Aries. Even while concluding the yearly cycle, Pisces prepares the seeds for manifestation of the new cycle.

The symbolism of Pisces is visualised in the twelve Pisces paintings of the Images of Synthesis series done between 2010 and 2021. See also: https://www.ludgerphilips.org/.

Some days ago, a friend and astrologer from Seattle sent me a photo of a letter of C.G. Jung from a correspondence with professor B.V. Raman, an Indian astrologer / editor from Bangalore dated September 6th 1947. I transformed the photo into a PDF for easier sharing.

In the letter, Jung does the following interesting statements:
“Since you want to know my opinion about astrology I can tell you that I’ve been interested in this particular activity of the human mind since more than 30 years. As I am a psychologist I am chiefly interested in the particular light the horoscope sheds on certain complications in the character. In cases of difficult psychological diagnosis I usually get a horoscope in order to have a further point of view from an entirely different angle. I must say that I very often fund that the astrological data elucidated certain points which I otherwise would have been unable to understand. From such experiences I formed the opinion that astrology is of particular interest to the psychologist, since it contains a sort of psychological experience which we call “projected” – this means that we find the psychological facts as it were in the constellations. This originally gave rise to the idea that these factors derive from the stars whereas they are merely in a relation to synchronicity with them. I admit that this is a very curious fact which throws peculiar light on the structure of the human mind.
What I miss in astrological literature is chiefly the statistical method by which certain fundamental facts could be scientifically established.

Hoping that this answer meets your request I remain
yours sincerely
C.G. Jung”

The letter reminds me of the explications Dr. E. Krishnamacharya (Master EK) in his book “Wisdom of the Heavens” (PDF), where he gives excellent explications on the nature of astrology. This might answer what Jung gives as missing in astrological literature about establishing certain fundamental facts statistically:

” ‘Is astrology a science or an art?’ You can further enquire. It is a science while learning and art while applying. It has the same position as that of medicine and law… Healing is an art though medicine is a science. Same is the case with astrology. … When a prescription fails to cure, when a legal advice fails to restore justice, or when a prediction fails to come true, the fault is in the practitioner but not in the science… Man can foresee that there will be a sunrise tomorrow and if he does not kill himself in the name of religion or politics. Such experience forms the basis for the Wisdom of the Heavens. Whenever the basis is illumined by the sacred lamp of pure perception through the torch of quest, there is the development of the astrological science. Through this wisdom, man can foresee the will of his Creator and await His command… We prefer to follow such sciences. We read the symbols of this science and interpret in terms of man’s tendencies, seeds, reactions and results. We teach what we know. We interpret what we see. If man were to talk to His Father it is through the vault of Heavens. The wisdom of the stars should be the language… Astrology is the true key of spiritual wisdom which we call the ‘Science of Man’.”

The Earth has a Hierarchy of Teachers popularly known as the White Brotherhood. The head of the Hierarchy is called the World Teacher. The World Teacher in the present cycle is known as Lord Maitreya. The word “Maitreya” comes from the Sanskrit root “Mitra”, meaning friend. Maitreya is a sage of great brilliance; his teachings are of synthesis, unity of existence, and love and wisdom.

Though little known, the Indian Puranas contain information about him. The Vishnu Purana is a question-answer session between Parasara, the teacher and the student, Maitreya. Maitreya received the wisdom under a ficus (fig) tree at the eastern entrance to a cave which is said to be at Sravasti, in a region north of Mount Kailash. It is today called Shigatse by the Tibetans. It is believed that the ficus tree is still there even today and that he continues to bless the entire planet and humanity during the morning and evening hours.

To visualise this scene, I used a photo of a ficus tree at the Sun temple of Konark, India. I created the figure of Maitreya by fusing an extract from the painting “Transfiguration” by Fra Angelico and a picture of the head of Maitreya. The background was designed with elements of photos of the Himalayas and the Alps and of a sunrise taken during a flight over India.

The symbolism of Pisces is visualised in the twelve Pisces paintings done between 2010 and 2021. For detailed detailed descriptions please see the ludgerphilips.org website.