For 19 years, 1990 – 2009, I didn’t paint anything. I felt I would never paint again. The creative streak was frozen, hidden under a veil deep within.

In November 2009, during a deep and long crisis, I experienced two intense night inner openings. Suddenly there was an urge to express these experiences on paper, and so the series “Images of Synthesis” started.

On Friday the 27th of November 2009, I bought paper, colours, and paint-brushes. The next day I started the first painting, not knowing that it was a new beginning. I started painting on a photo which I had shot some days before. After painting, I scanned the picture, printed it, worked on it with pencils, scanned it again and then worked again on it on the screen, increasing the brightness of the colours: My new technique was born. I use it to this day, refining the procedure with every work done.

More and more, I realised that the images were not from me but through me. Often I was much surprised about what came out. Doing these paintings is an activity full of unforeseen, done besides many other activities.

Upto now, there are 151 images. They are available for free download on the website with the paintings (I had done about 80 prints on aluminium dibond and framed hi-res prints – resting in the basement – I stopped doing so; there was not much interest in them).

Since April 2010, I have been working on the “Spiritual Astrology Paintings”. I recently finished the 10th annual cycle, with 12 paintings each – 120 paintings – as part of the Images of Synthesis series. I did a photo-book with the last three annual cycles, until Pisces 2020 – so it will have to wait for some more months.

The “Images of Synthesis” are also published on the Good-Will website, with short extracts of the wisdom teachings of the World Teacher Trust, giving the inspiring idea. You find them also on Facebook and on Flickr.

Will the work continue? I do not know. It is not my planning but depends on the inner impulse. But upto know there is a “green light” to continue.

Here you can see the first five images of the series – and you find explanations on the ludgerphilips.org website (series “Subtle Worlds”).

For our daily meditation it is recommended to visualize the correspondences between parts of the body, of the planet and of the cosmos. We can see ourselves as sitting in the middle of the earth and having the North Pole in our head and the South Pole towards the lower end of our vertebral column. We can further visualise the constellations of the Great Bear (Big Dipper) in the head and the Pole Star as the pivotal point at the top. At the base centre, there is the dog guarding the infernal gates; it is Sirius, the Dog Star which is called Cerberus in Greek mythology or Sarama in the East.

From this point, related to Sagittarius, the kundalini ascends. The ascent can be visualised as an arrow shooting up through the central axis of the spine. Occult Meditation 48 says, “Matter, mind, Master. Matter is the South Pole. Master is the North Pole. Mind is the equator.” The movement from matter to spirit, to the stage of the Master, is the path of evolution.

The picture shows the arrow on the bow as the central axis from the base centre, the South Pole to the head centre, the North Pole, and further pointing to the Pole Star. The seven stars of the Great Bear are called the Seven Judges or Seers in the East. They are related to Sagittarius, whose constellation you can see in the upper right corner. The globe is formed with the help of a picture of the earth and a crystal ball. In the dark part below the equator, symbolising matter, you see the constellation of the Great Dog with Sirius positioned at the base centre.

See more pictures on the site with my paintings. If you want to print the image, you can download the file in medium and high resolution format.
The different zodiacal signs are clustered in groups – you can see here all my Sagittarius paintings.

I recently had a phone call with a friend in the course of which she told me she would never again join a spiritual group. The experiences she had with a group and its teacher 2-3 decades ago had marked her for her whole life. And another one lately told me: “I no longer recognize myself in the group where I was (of an Indian teacher) and so I left it.” She added, “For my spiritual quest, I have always been fascinated and attracted by the Masters, and the WTT is a beautiful synthesis.”

From my own experiences in various spiritual groups and contexts I know how delicate it can be to associate with a group and a teacher. In public here in the West, it is mostly disparaged as Guru cult. And when you come in closer contact with a group you unavoidably also meet shadow aspects – be it of the teacher or the group. You can call the shadow the personality. And what makes the thing even more tricky is that we mostly have blind spots towards our own shadows and like to project them on others.

Spiritual groups and teachers are no exception to this. I very well understand people who want to keep aloof from getting into such situations.

However, when you are fairly well grounded in yourself, you can take it as an excellent field of training – how to evolve if you don’t work on yourself and on developing friendly relations with others? For me, the obstacles were a challenge to get more committed.

In my life, I came to know a number of spiritual teachers directly and a few more by way of books. It was an odyssey and a great way of meeting people with many different attitudes – the devotional type, the sceptic type, the indecisive one, the impractical intellectual, the fervent apologist, and even the spurned love…

For a while, I myself was a mixture of several of these. I learnt much by observing and putting to practice what I learnt. And so I approached my present teacher, Sri Kumar, who more and more became the role model for me. A lot of transformation happened – I would call it an occult process because it mostly went on within, very slowly. Or was it more the outcome of my work with meditation and persevering activities, with others, with groups in various contexts? In a way, I ended up to come to myself, not to the teacher. The teacher, the teachings and the group were instrumental in this. On the other hand, it’s an interrelated thing.

A close friend said to me, “I don’t need a teacher for this. I want to rely on the inner guidance and autonomy – no dependence or pressure of rules.”

I understand and respect and I also feel the same – inner guidance of the soul and putting to practice what I have realised as right – not because of any dependence of pressure of rules.

At the same time, I receive great support by following my teacher and the teachings (and leaving other things behind). They are giving strength and orientation and help me not to get side-tracked and stuck. Joy is the compass in this.

I yesterday found a thrilling video about the history of Europe from about 400 BC to the present (published 1. 1. 2018) in less than 12 minutes.

For every year, it shows – partly just for a split-second – the borders and populations of each country in Europe, northern Africa and Middle East. (Vassal states and colonies are not included in the count of a country’s population.)

The rise and fall of great empires – of the Romans, the Huns and Mongols, of Napoleon or the two world wars of last century – they all appear like the pulsating heart of a part of humanity. Behind all this flickering of states lie the destinies and sufferings of millions of people.

Keep in mind that from the larger perspective of the immortality of the soul, we all have gone through many incarnational experiences in the past leading us to where we are working out our lives now.

Scorpio represents the fall of spirit into matter and the reversal of the process through the ascent of consciousness from out of the bondage of matter. The movement of energy is described as a serpent creeping on the ground or rising as a brilliant light inside the spinal column. Beyond the brow centre the energy bifurcates into two arcs like a winged serpent and further ascends like an eagle. The flying serpents are described as carrying a radiant jewel which is the jewel in the lotus of the head centre, Mani Padme.

In the centre of the image you see the central axis of Sushumna surrounded by the descending and ascending serpentine energies. In the upper part, they form two resplendent wings around the head of the serpent with the jewel of light. An eagle, symbol of an initiate, is soaring up from out of a jewel in the background symbolising the Ajna centre. And above, a group of three eagles is flying in the vastness of space. To the right, you see the constellation of Scorpio.

The wheel of the zodiac in the background, designed with a photo of a friend, indicates the movement of ascent and descent.

See more pictures on the site with my paintings. If you want to print the image, you can download the file in medium and high resolution format.
The different zodiacal signs are clustered in groups – you can see here all my Scorpio paintings.

Some changes in the team of collaborators during the last weeks made me ponder upon volunteer work in the context of the wisdom teachings.

It looks and feels like a way through a cloudy jungle to discover the path towards the subtle dimensions of life. Running around in various directions does not help. With the years, I found it necessary to focus on one path and to go into the depth instead.

Digging deep needs endurance and commitment. I slowly realised that I have to help build the road to the “goldmines” of wisdom for others as well. And the deeper you go, the more you see the need of cooperation.

As an outcome, I slowly grew into responsibility for various publications and websites related to wisdom, and I met reliable fellow seekers who cooperate in this endeavour.

It takes time to carve out. And many skills need to be developed to fine-tune and to anchor. Newcomers hardly see what lies behind and if they take a glimpse, they sometimes shrink back. Or they pick up some work for a while but find it hard to keep up with rhythm and continuity.

“Likes” and social media entertainment are easier than carrying some stones for a building. Solid steps need to be firm and well done. But who finds time, who takes time for entering a spiritual apprenticeship? Without quick benefits and recognition?

Good will is not enough to become a reliable team member. And often the qualifications required and the equipment in the rucksack of the seeker do not match immediately. But is sh/he willing to enter and learn, to let go of one’s first ideas? And to keep the inner fire burning unsvervingly so that it does not get extinct at a first blast of wind?

New qualifications and skills need to be developed, trust and endurance. Cooperation and at the same time working in a self-reliant way.

It is nice to do something inspiring, but mostly it is seen just as a hobby, when time and other demands allow. The path, however, calls for a commitment like in a challenging work. You have to see where a task needs to be picked up for the greater plan and how to integrate your stone, and at the same time cooperate with the others like a dear friend.

And what if the friends do not give nice feedbacks and cooperate as you expect them to do? Often you have to wait, more often for years, before a door opens. Before you can step in.

Otherwise, life offers many other priorities – job, family, friends; or chilling, sport, travelling… The list is long, and there are many reasons why not to pick up a lasting commitment.

But what about working for an age-old “enterprise”, working out the path to the light? Spiritual Hierarchy has enormous patience in developing the network of collaborators.

Last week a man from France contacted me via e-mail: Sylvain wanted to bring me a gift from friends living on Ko Pha-ngan island of Thailand. (I had written a blog-post about their activity of spreading the knowledge about rudrakshas.)

Last Saturday evening, Sylvain arrived – a tall young man with a special present in his hands, caringly enveloped with a fine string. I opened it and discovered inside two light-brown rudrakasha seeds (called “white rudrakshas”), embedded in a rudraksha shell and embedded in white cotton-like fibres.

It is a very special special gift and the messenger had travelled quite a distance – it was his way of giving thanks to our friends with whom he had lived for some months on the Thai island.

We were not prepared for an overnight stay in our apartment but somehow could arrange. And this was very good. Sylvain and I had an intense exchange. Sylvain told me about adventures on a bicycle tour from France to Kyrgystan, nearly to the Chinese border, about other journey to North and Central America, about his spiritual search and a project related to Ayurveda he is trying to realise in the French Alpes. He carried a fresh energy of bringing inspiration to people and of knowing how to realise his visions.

Sunday morning, he joined the meditation and fire ritual; afterwards we did a walk over a nearby field and enjoyed the magic of the sunrise. Before he left again back to France, we did a selfie with my wife on the balcony. A hearty encounter.

“May the times of the autumn and spring equinoxes not be neglected. They are of immeasurable importance to the disciple of yoga/discipleship.”

Following this hint of Sri Kumar, we met again at autumn equinox in the WTT Paracelsus Centre to celebrate this cardinal point of the year in meditative orientation.

We wanted to meet at the mountain ridge near the Etzel pass but it was not so easy to get there for many roads in the area were blocked because of an “Iron Bike” festival around Einsiedeln.

Also the road at the top of the pass was blocked but somehow we managed to get to the fire place where we had already met the years before. The clouds looked grey but there was a majestic ambiance and a grand panorama view.

While we were singing the mantrams of the fire ritual, the flames rose and spread their magnetic radiation.

Afterwards we met at the Paracelsus-Center. As usual, we started with a little ritual and a short meditation. Afterwards, I spoke a bit about the importance of the eqinox celebration and the energies of Libra.

In the afternoon we made a walk along the Sihl River to Egg and returned via the other side of the river.

We greeted a group of cows on a meadow – it was cute to see a cow couple in exchange of affections.

Later in the afternoon, we read a little text about the spiritual importance of Libra and closed the meeting with the evening meditation. It was again a profound experience to meet and meditate at such a beautiful place.

In Spiritual Astrology, the solar year is called the Day of the Gods. In Aries, we have noon and in Libra midnight; in Capricorn there is dawn and in Cancer dusk. When the spiritualist has completed his journey of tracing the path from Libra to Aries, the lower pole is absorbed into the higher pole. Man is reunited with his higher pole, the God centre. He later enters into the soul of the Sun and finally attains the centre of the spiritual Sun. He then sits in the lotus above the head centre, the jewel of the seventh lotus.

In the upper part of the picture you see the cross of the year with the vertical line of Aries and Libra and the horizontal line of Capricorn and Cancer, designed with the help of an old astronomical illustration of the movement of the Sun around the Earth. It is dovetailed into the arch of a colonnade symbolizing the stages of unfolding consciousness.

The figure of the meditator was formed by the fusion of two Buddha statues. Above his head is depicted the jewel in the lotus which creates the pathway to the zodiacal wheel and to the Sun. In the upper right corner, you can see the constellation Libra.

See more pictures on the site with my paintings. If you want to print the image, you can download the file in medium and high resolution format.
The different zodiacal signs are clustered in groups – you can see here all my Libra paintings.

A friend sent me the link to a new video of Cristóbal Vila: Infinite Patterns (here on YouTube). Cristobal is a graphic designer, illustrator and art director in Zaragoza, Spain. His website Etereaestudios consists mainly of a gallery showing the outstanding work done by Cristóbal Vila within the field of 3D and digital imaging. I already had done a blogpost about some of his video works in February 2011. See here links to his work.

On his website, he writes about Infinite Patterns – Connecting geometry, nature and architecture:

“This is a new personal project that seeks to establish connections between various fields that interest me deeply: geometry, and how it appears linked to nature, on the one hand, and to art and architecture, on the other; raising relations between all of them. Somehow it would mean the fusion of the interests of two of my previous works: Nature by Numbers and Ars Qubica.”

Have also a look at another of his works, “Lux Aeterna” (Eternal Light) – a journey of light, from distant galaxies to small drops of water. Fascinating!

The video Infinite Patterns cannot be seen on other websites, please click on this link to see it on YouTube.